As is typical of macrophiles, he takes pictures of women and glues them over cities. In the beginning, his montages had flaws (such as inconsistencies in the depth of field, shadows misinterpreted, shadowing incompatible with the environment):
The tilt of the giantess gives the feeling that she is going to fall.
The photographic quality of the giantess is superior to the scenario with which she interacts. Also the hair is poorly mounted.
Shoes should leave a few small cracks.
The bus is poorly mounted, moreover, the shade of the giantess and the stage is incongruous.